Saturday, November 24, 2012

From Couch to 5 K

One Woman's Story.....

Former AVC Writing Center Tutor Abbey Fitting has been an occasional guest writer for this blog. This weekend, she joined 700-800 other brave souls for a Thanksgiving-morning "Turkey Trot." For her, this was proof that she could set a goal and stick to it: loosing weight, gaining fitness, and mastering weather, entropy, and days she had to stay late at work. After her dedicated training was over, it was here. Cold and clear, the big day had arrived.






This was the first formal, organized run in her life. She decided fairly recently to follow the "couch to 5 k" training plan. She arrived at the YMCA that morning proud to have been issued her number.


Other folks were glad to be there too, like these two dogs, re-enacting the play, movie, and tv series franchise, The Odd Couple.






"I think I am in love...."





And after the usual messages and lost children and the national anthem, the runners were off. Meanwhile, some of us had to stay behind and keep the home fires burning. This adorable little girl below I think is saying, "Run faster, Mommy ---- I'm cold!"


The great support volunteers at the YMCA were out on the course helping direct traffic, while others cut up oranges and got the finish line cones lined up. Seeing all of these earnest, slender, well-intentioned people working so hard and selflessly early on a frosty Thanksiving morning made me want to give thanks for the enduring presence of the human spirit. They also made me secretly desire a cheeseburger and a cigarette.


I know that in the modern big marathons, runners can opt to have little tags wired into their shoelaces, and those near and dear to them can follow their progress online.

Here in the Antelope Valley, we're not quite so sophisticated. You lick a finger and test the tail wind, take the occasional look at the cell phone to see what time it is, and make an educated guess when your runner is likely to show up at the finish line. In Abbey's case, encouraged by the crowd and after having trained, ate, and slept sensibly all week, she and her iPod rounded the final bend and came shooting up towards the finish line to clock her best run ever.


WOW, she says --- I did it! And then of course one must take care of necessities. What comes next, directly after a run? Kissing a spouse? Looking for the kids? Going over to the stretching station? No, of course not. What has to happen next is to get a posting up on Facebook......


Others dug around in the pile of oranges, saying (as I did), aren't there any cheeseburgers under here?


Here are her thoughts on the process, in her own words.

"When I decided it was time to lose some weight and gain a little fitness (it's really embarrassing when climbing the stairs in your own house leaves you winded!), I didn't make enough money to afford a gym membership, so I decided to find an alternative. Over beers and burgers a friend of mine mentioned that he'd done this Couch to 5K thing, which takes you from couch layabout to 5K in nine weeks. It sounded really easy (in the first week you start by walking for 5 minutes, then jog for 60 seconds, then walk for 90 seconds, alternating the 60/90 for 20 minutes and then walk for five: piece of cake, right?).  

Plus, since I already owned a pair of old jogging shoes and an iPod, it would cost me nothing but time. So, I downloaded one of the free C25K aps from iTunes, and got on the program. 3 days a week, wind, rain, or (as was more often the case) scorching heat, I went out and did my time. When I finished up the C25K program, I decided to keep it up, getting out and running 3 days a week. The result was a really good (for me) 5K on Thanksgiving day.

As advertised, running has had a lot of benefits. I have amazing energy these days, I sleep like a baby (I'm prone to bad bouts of insomnia), I lost weight, and I got an excellent (farmers) tan from all that time in the sun, but the best thing has actually been the satisfaction of knowing I could set a goal for myself and see it through even when there wasn't anyone hounding me to get it done."




The AVC blog is curated by Language Arts Instructor Charles Hood, who can be reached at chood@avc.edu. It does not represent the views of the AVC District, the Board of Trustees, the YMCA of the Antelope Valley, or members of the Cheeseburger Chamber of Commerce.

Friday, November 16, 2012

The Smartest Man in America Tells Us Who is the Smartest Man in America

Grading the Graders....

One of the pleasures of being around a campus all the time is that I do get to meet smart, interesting people, and of course I do mean on both sides of the podium. That much is natural, and might happen in a public library or even a bank. But in showing content to students, I also get to meet smart people just through the interweb.

One of my heroes is the art and literary critic Lawrence Weschler, shown here on the left in discussion with Matthew Coolidge, founder and director of the Center for Land Use Interpretation.


They were meeting at a lecture by photographer Michael Light. While all three gents have tremendous IQs and quick wits, Weschler himself is often introduced as "the smartest man in America."

He himself though would say, no, it's not him, it is the man most of us best known as the editor behind Apocalypse Now, Walter Murch.

Here is Weschler via a blog relating to the Chicago Humanities Festival:

Every spring, at some point in the semester as I am teaching my graduate Fiction of Nonfiction writing and reading class to the usual collection of journalism and poetry graduate students at NYU (my mission, to help foster a new generation of lyrical reporters and investigative poets), there comes a point in the proceedings where I have occasion to offer up my opinion (which given the rules of graduate education has the momentary force of law) that Walter Murch is the smartest person in America.

“Walter Murch is the smartest person in America,” I’m likely summarily to declare, “and that will be on the test.  The question will be, ‘Who is the smartest person in America?’ and the expected answer is ‘Walter Murch.’  Ten points.”

The link to that, which probably won't be click-able inside the blog, is this:
http://www.chicagohumanities.org/Blog/Lawrence-Weschler/Walter-Murch.aspx

So there we go. High praise indeed, and if you want to explore an extended meditation on Murch and Apocalypse Now (and if you are an AVC student), go into the "Library" part of the AVC website (log in first, go to Academics, then find "library") and use EBSCO Discovery Services to take you to Weschler's article in Harper's Magazine, "Valkyries Over Iraq: The Trouble with War Movies." Via the subscriptions AVC has, you can read the content but not see the pictures, which are though included in Weschler's book, Uncanny Valley, and inside the Harper's site itself.

Basically, Weschler's piece tries to navigate the problem that (as shown in the book and movie, Jarhead) parts of an anti-war movie like Apocalypse Now can have scenes of such heart-bestirring romantic glory that they can be used to be turn an audience pro-war. In short, who wouldn't want to swoop around in a helicopter, playing the record player too loud and annoying the neighbors? Rather than condemn the Air Cavalry commander Col. Kilgore (note the name, a three-way blend of World War Two's comic character "Kilroy," the verb "kill," and the verb and noun "gore") --- rather than condemn the character as Coppola intends for us to do, in experiencing that scene as viewers, instead, we identify with him. The colonel loves the smell of napalm in the morning (it smells like victory), but we love fast machines and a good soundtrack, and if there are guns and naked chicks (both of which Apoc Now has, and especially Apoc Now Redux), so much the better.

That's a fine insight and I like this article a lot, even the parts (especially the parts) I disagree with. What has been fun has been seeing where following him has taken me. In looking at the book and then the original article, I ended up spending time on the Harper's website.


This turns out to be trivia-city, in ways that nearly verge on (but quite enter) the profound.

For example, according to Harper's

--- researchers have found that the five-second rule (ok to eat food that has only touched the floor for a few seconds) is biologically false;

--- Police in Britain apologized for tasering a blind middle-aged man after mistaking his walking stick for a samurai sword;

--- an Orlando man who started having sex with his date on a restaurant table in view of young children, and who then refused to pay the bill, was arrested on a charge of defrauding an innkeeper;

---  Ulaanbaatar took down its last remaining statue of Vladimir Lenin, which it will auction at a starting bid of $280 (though I suspect the shipping charges will be 10 or 20x that);

--- a Danish pornography website announced a contest that would award an iPhone to the entrant with the smallest penis. “It’s a competition which is at the core of manhood,” said site owner Morten Fabricius;

--- a Seattle man was arrested for the 1976 murder of an elderly woman after an undercover policeman obtained DNA from him by pretending to conduct a chewing-gum survey;

and lastly (for now),

--- French president Fran├žois Hollande announced a plan to ban homework, which he said favors the wealthy. I am sure my own students would appeal to my sense of us all being part of the 99% and would agree with Mr. Hollande.

Go, Harper's! Certainly this is fun stuff. It made me re-visit some of the past AVC blogs to see how we hold up. It's a mixed report card.


One piece of art that I took a skeptical view of at LACMA, the new big rock, remains a crowd-pleaser. Of course, this blog never said it wouldn't be popular, just that as a sculptural presence, it didn't merit the awe and hype being generated. Just go for a hike around Stoney Point in Chatsworth if you want to see bigger rocks, and in their case, since that site has a cultural history ranging from the start of modern rock climbing to the horror of Charles Manson, it has large-as-houses-stones PLUS a human layer of narrative.

But that rock remains deeply popular, so I am glad LACMA put it in. Visitor numbers upticked very strongly, and the current (and fabulous) show on cinema's Stanley Kubrick will keep those numbers high I suspect. Indeed, on a recent Saturday, there was not even anyplace to park, it was so crowded. Here is an art world newsletter reviewing the piece's impact:


Another topic the blog took on was beauty and impossible standards, and it spent a small amount of time with an ad for skylights. AVC wins one again, since apparently that ad was striking to a number of judges, too, and it won awards. Here is the ad, surrounded by some cropped text from Photo District News that explained the ad's appeal.



It is nice to be right, sort of like when I have seen a movie and then gone on Rotten Tomatoes to find out all the film critics who agree with me. (The ones who disagree clearly are drunken fools.) The bed and skylight shot itself was very tricky to do, hence the article about it inside a photography professional journal. It is also just flat out striking, and I feel mildly vindicated that others agree with me. (I still also think it promotes absurdity and criminal levels of consumerism, but whatcha gonna do? The world is what it is.)

I close with something from Weschler, one of the favorite things he has said that I have come across this week. This is from his remarks about Murch from the same site mentioned above. Here he is:

Smartest?  Well, okay, maybe [ Walter Murch is ] not the smartest (I suppose there must be some Nobel Prize winning biophysicist/concert pianist somewhere with an equally plausible claim to that title.)  But surely among the most various and polymath and confoundingly protean.  One recent afternoon, for example, he sat down to puzzle out the answer to a question he’d posed himself: on a per-watt basis, which emits the most energy for its size, the sun or a brain?  (His answer: on a per-cubic centimeter basis, the brain emits 56,000 times more energy than the sun.)  

That seems like great stuff, but what about the rest of us, whose solar factories often feel as if they are in semi-permanent eclipse? Well, for us, luckily, there are videos of dogs giving rides to cats and the results of that Danish contest to see who will win the smallest tallywhacker iPhone.


The Antelope Valley College blog is curated by Charles Hood, Language Arts, who can be reached at chood@avc.edu. These blogs do not represent the opinions of the District nor of the Board of Trustees, nor Harper's magazine or Larry Weschler or anybody else living or dead, past or future, in a time machine or in locked in Tuperware, who might be offended by anything here. Also, this blog is not endorsed by Tuperware, a registered trademark. Thank you for visiting.


Monday, November 12, 2012

Sexy, Loud, and Fast (and other four-letter words)

How Mermaids (Don't) Sell Cars

America can take pride in having brought the world a number of great achievements --- jazz music, the Declaration of Independence, good coffee even at McDonald's, and, more than anything, muscle cars. The Camaro, the Mustang, the Charger: old versions or new, these are as much our legacy as landing on the moon or the whistle-inducing skirt of Marilyn Monroe.

Anybody remember the Pearl Jam song, "Wishlist"? Among other things ("I wish I was the souvenir you kept your house key on"), one of the lines goes, "I wish I was the full moon shining off a Camaro's hood." Ah yes, classic cars indeed. They are still around, of course, and out now in updated versions. (The new ones even have seat belts.) My wife's boss recently got a mailer for the new generations of cars like these, and the brochure combines sex appeal with poetry. One thing that this advertisement has learned is that the sexiest images may have no naked women (or men) in them at all. Less is more, in language and lingerie ads.

Chrysler wants to take ownership of its old Dodge Charger heritage. In this expensive, fold-out packet, each page has a sort of haiku-like text, one page visible at a time, and as you unfold a poster-sized ad, the next page of text opens up a new set of car photographs. Here's the first bit of poetic copy: "Sexy / Loud / Fast / And Other Four Letter Words." (We'll follow academic convention and use the slash mark to show line breaks.)


As with most good ads, this one can be read in a second or two, and the color red (speed, danger, red lips, fire trucks) combined with the technical, silvery grey (and details of pseudo-technical parts, like the lug nuts on the rim) create the impression that we're dealing with fine but complicated racing machinery. What do you get when you cross lipstick with a jet engine? Ads like these. Turn the page and here's the next hit of poetry.


To rely on the taxonomy of classical rhetoric, we can say that this text uses a trick called elision, which is to say, implied words we can skip over and yet still count as being grammatically present. The copy just says "Flat Out," but we understand there is a bit more text needed here, so the invisible, implied verb would be something like "run flat out" or "go flat out." We can skip over these words and just get the compression and energy implied by a tighter, more "driven" line. This is a brilliant choice and one I wish my own poetry students could learn. It's classic "less is more," and too it shows how a bit of colloquial English (flat out) can do wonderful things. In case it is hard to see on the screen, the text says, "Flat / Out / Until You / See God / Then Brake."

And note too here that as we move through the narrative (each page unfolding more cars than the spread before), the cropped perspective implies glimpses: glimpses of cars that are perhaps going past too swiftly to be seen all at once, but glimpses too because of the voyeurism of the perspective. We are spying on the cars almost, watching them through a keyhole. This is much sexier in practice than it might seem just in a verbal analysis, and sexier too than if we had the Laker Girls involved or some other cliche representation of overt sexual presence. The next page works just as well:


Not legible in this blog version may be the punch line: "Cops / Will / Stop / You. / Just To Ask About Your Car." The four bold large-font words are each monosyllables and of course we have an internal rhyme with cop and stop. There is great power and directness here, as well as the implies bragging rights of having a car that everybody covets, even John Q. Law, whose own car, we assume, is pretty quick out the gate itself. When I took delivery of my current car, a limited edition "Baja" version 4 x 4 Tacoma, the sports graphics irritated me but added to the "young-guys" vibe the car puts out. I think the 20-something techs at Toyota who prepped it for delivery did indeed fancy it. (They might think they want it right up until the first time they had to pay $85 for a full tank of gas.) Here's my car the afternoon I took it home.


As with Chrysler's launch of the SRT brand (Street and Racing Team), I intuited that for a shot of my own car the black and chrome style and deep-tread tires would speak for themselves. The ad above continues to unfold with more text and images, concluding with "Blur / Life / And / Everything / Suddenly Becomes Clear." All of this reverses almost a century of car ads, when women were needed to demonstrate sexual potency and speed, not glimpses of fenders or blurred taillights. I first went to an auto show with my dad in 1968. The car model gals were something else back in those strange and troubled times, and I was delighted to find a book at the Peterson Automotive Museum that surveys exactly this. Here is the cover shot from Sirens of Chrome: The Enduring Allure of Auto Show Models by Margery Krevsky.


I suspect most of us find this funny, not sexy. And as the book reveals on page 150, changing from exploiting men to exploiting women doesn't work visually either.


I hope his car has one of those magnetic hide-a-key boxes under the back bumper, since apparently he doesn't have any pockets to keep his car keys in. I graduated high school in 1977 and this ad from that same year brings me more discomfort than nostalgia. The car is as ugly as the pants suits.


I suppose the implied story of the Pontiac shot is "girls night out"? They are not just there as eye candy but somehow are in the middle of an actual evening or event? Maybe they are an under-cover team of super heroines, Charlie's Slacks Angels.

If they are crime stoppers, here's an ad from 1967 that combines The Avengers, the Perils of Pauline, and Bonanza, all in one visual mess.


1967 was the model year the Camaro was released, and so from the same year as the rope and hat ad above comes this shot with these three very mod models. Shag-a-delic, baby.


The ads for sports cars often imply that if a man is driving a car like that, he has a pretty girl by his side (think of the role women play as passengers in American Graffiti). When I'm in L.A. and see ultra hot cars tooling around Sunset Blvd, often as not, the driver is alone. All of the supermodels are in the backs of town cars being driven to their next gig. They know that to drive in a convertible will mess up their hair, and they won't be able to hear what their agent is telling them as they talk on their iPhones. Besides, going fast is always more fun for the driver than the passenger.

To return to our initial 2012 ad, the one with the poetry captions and blurs and glimpses, the cars have converged on Mulholland Drive to make out, but apparently with each other, since again, no humans (naked or otherwise) have cluttered up the clean lines of these latest production models. (A Jeep has snuck in there too, one many SUVs marketed these days too prissy to cross a half-full gutter.)



The ad does work, of course. Zoom, zoom --- I very much want one --- or maybe that is my midlife crisis talking again, since before I settled on replacing my beater truck with a new truck, I did wander around glam car showrooms. I still eye the zoomier cars, when I see them in Malibu or passing me on the long uphill that is the 14 climbing out of Los Angeles. At least for me, something faster off the blocks and louder down the street will have to wait until the loan payments catch up with the stack of paper I signed.

Until then, though, I can always spend my afternoons with my nearly-as-good and very flame-painted substitute: my newest Hot Wheels car.


The Antelope Valley College blog is written by Charles Hood, Language Arts, who can be reached at chood@avc.edu. These blogs do not represent the opinions of the District nor of the Board of Trustees, all of whom collectively scold Hood for the number of speeding tickets he manages to accrue even in a heavy 4 x 4 truck.